In an Al-Monitor article in 2013, I suggested that partly because of the civil strife, traditional core cities in the Arab world such as Damascus, Cairo and Baghdad are facing, as well as increased cultural investments by Gulf states, the center of gravity for art and culture in the Arab world was shifting eastward to Abu Dhabi, Dubai and Doha. The article created controversy both within the Gulf states and the wider Arab world.
Sadly, these “core” Arab cities have only faced more setbacks since 2013. Terror attacks have escalated and museums have been looted. But there is reason to celebrate. For instance, prompted by the grotesque destruction of the Mosul Museum by the Islamic State thugs, Baghdad brought forward the opening of its national museum 12 years after it closed; Egypt finally reopened the National Museum of Modern Art in Cairo as well as the Mahmoud Said Museum in Alexandria, which also houses the Wanly brothers collection. Elsewhere in the Arab world, Morocco inaugurated a brand-new museum dedicated to art in Rabat, Amman’s Darat Al Funun continues to present a world-class series of exhibitions and Algeria is celebrating the naming of the northeastern city of Constantine as “capital city of Arabic culture in 2015” by UNESCO as part of its mega investments in cultural projects.