Facebook campaigns denounce Egyptian films that degrade women - Al-Monitor: The Middle Eastʼs leading independent news source since 2012

Subscribe for less than $9/month to access this story and all Al-Monitor reporting.

Or continue reading this article for free - Access 1 free article per month when you sign up.

By entering your email, you agree to receive ALM's daily newsletter and occasional marketing messages.

Why Al-Monitor?

Al-Monitor is an award-winning media outlet covering the Middle East, valued for its independence, diversity and analysis. It is read widely by US, international and Middle East decision makers at the highest levels, as well as by media, thought and business leaders and academia.

Read by

Live news & notifications

Follow over 100 expert journalists based across the region and get notified in real time of breaking stories and exclusives. *Expanded coverage on Energy & Defense sectors.

Premier analysis of the Middle East

Access the sharpest and most diverse regional minds giving you all the angles on regional trends.

Live events & video

Priority access to roundtables, summits and other events alongside ALM's global community of regional influencers.

Specialized Newsletters

Get timely reporting on key countries and sectors with up to 10 daily and weekly newsletters straight to your inbox.

Big, exclusive interviews

Follow conversations with the region's biggest names in politics and business.

ALM archives since 2012

Access a repository of over a decade's worth of regional coverage, insights and trends.

Subscribe for unlimited access

By becoming an Al-Monitor subscriber, you drive our team’s rigorous and independent journalism spanning the Middle East.

Continue

Feature film to mark new beginnings for Gaza cinema

Ali Dolah

Egyptian filmmakers take on IS with satire

David Awad

Can indie films spark social dialogue in rural Egypt?

Reham Mokbel

People walk past a poster of the movie "After the Battle" outside a cinema in Cairo October 16, 2012. When horse and camel riders attacked protesters in Cairo's Tahrir Square during last year's uprising, Egyptian filmmaker Yousry Nasrallah was struck by one of the most vivid examples of how Egypt's huge class divide is exploited by powerful elites. Nasrallah's "After the Battle" tells the story of how one of the horsemen struggles to come to terms with his role in the aftermath of one of the most violent in

Egyptians throng theaters despite terror risk

George Mikhail