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International artists explore fragmented Middle East in Istanbul

The 2017 Istanbul Biennial asks what makes a good neighbor in a world plagued by war, repression and division.

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Moroccan artist Latifa Echakhch’s "Crowd Fade," which portrays how the resistance in Turkey's Gezi Park protest subsided, is one of the stronger works in the 15th Istanbul Biennial, Aug. 19, 2017. — IKSV

The first image that appears on screen is that of a boy mimicking the overflight of planes. He then pretends to be armed and searching for a village, throwing hand grenades and raking a target with bursts from a machine gun. Deaf and mute, 13-year-old Mohammed escaped from Kobani, in northern Syria, shortly after Islamic State fighters seized it in January 2015.

In the short video by Erkan Ozgen, a Turkish-Kurdish artist from Diyarbakir, Mohammed uses his body to express the violence he has witnessed. When he concludes his on-screen narrative with a swift hand movement that indicates a decapitation, a half-suppressed scream arose in the darkened room where a dozen people breathlessly watched. As the audience got up to leave, one young man remarked, “Perhaps a good neighbor is simply one who doesn't kill you.”

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