Iranian Art Transcends Politics
From ancient times, to thousands of years of monarchy, to today's Islamic Republic, Iranians have pursued spiritual progression, writes Roshanak Taghavi. The Metropolitan Museum of Art's contemporary Iranian art collection in New York conveys this pursuit through time, fusing historical and contemporary subjects spanning the realms of philosophy, politics and poetry.
For a mystic like ancient Sufi poet and philosopher Jalal al-din Rumi, the progression toward “nothingness” — known in Persian as “heech”— is spiritual. No matter what one’s external circumstances may be, self-awareness is an art to be realized personally, deep within oneself.
“Since you are more than tongue can tell, behold how eloquent I am without a tongue,” he wrote almost eight centuries ago. “Like the moon, without legs, I race through nothingness.”
Iranians have, throughout their history, engaged in this pursuit of spiritual progression — both during Iran’s millennia-long institution of monarchy and also after the country’s 1979 Revolution, which brought with it the establishment of an Islamic Republic.
Through it all, they have adapted to the challenges that came with new shifts in rule, infusing the realities of their external circumstances into personal rituals (such as holidays or prayers), and saturating their poetry and art with symbolism. Through the written word, the creation of art and an inherent flexibility, Iranians have always managed to communicate “without a tongue.”
