At the Zaatari refugee camp in Jordan, Syrian artists are using their paintbrushes to break up the monotony of the desert. They splash the container houses of Syrian refugees with flowers and trees that the desert climate does not support, with the hope of alleviating a little of the pain of the 80,000 refugees in the camp. Located some 53 miles northeast of Amman in Mafraq, Zaatari accommodates around 10% of the Syrian refugees in the country. There are 656,913 Syrian refugees officially registered with the UN High Commissioner for Refugees in Jordan. Jordanian authorities established the Zaatari camp on 8,500 dunams in July 2012 to shelter Syrians fleeing the civil war that broke out in 2011.

Muhammad Jokhadar, an artist who escaped Homs for Jordan in 2013, works as a barber at the camp, but that hasn't stopped him from pursuing his painting. In mid-2016, he formed the Jasmine Necklace, a group of artists in Zaatari. The members of the group decided to try to counter the solitary, monotonous feel of the desert and came up with a volunteer initiative to paint the accommodations and other buildings in the camp with trees and other natural, colorful scenery. The Norwegian Refugee Council (NRC) liked the idea, and to promote it, paid the painters’ monthly salaries of $300 and provided the necessary equipment.

Many of the refugees had been accustomed to green spaces and other natural scenery in their hometowns. According to the Food and Agriculture Organization, agriculture generally constituted 26% of the Syrian economy, while Jordan has experienced declining vegetation. The study Desertification in Jordan, conducted in June 2016 by the International Union for Conservation of Nature, indicated that 81% of Jordan's 89,342 square kilometers is desertified, while an addition 16% is threatened with desertification.

Jokhadar told Al-Monitor, “Fifteen Syrian artists living in the camp participated in the initiative to decorate it. They divided the camp into 12 parts, each of which was painted in a certain color referring to the region the refugees came from. Green prevailed among the paintings, reflecting Syria’s green spaces.”